The definitive reference work, now in a compact format
In a fleeting 14-year period between two world wars, Germany’sBauhausschool of art and design changed the face of modernity. With utopian ideas for the future, the school developed apioneering fusion of fine art, craftsmanship, and technology, which they applied across media and practices from film to theater, and sculpture to ceramics.
Thisbest-selling reference workis made incollaboration with the Bauhaus-Archiv/Museum für Gestaltung in Berlin, the world’s largest collection on the history of the Bauhaus. Some575 illustrationsincludingarchitectural plans, studies, photographs, sketches, and modelsrecord not only the realized works but also the leading principles and personalities of this idealistic creative community through its three successive locations inWeimar, Dessau, and Berlin. From informal shots of group gymnastics to drawings guided by Paul Klee, from extensive architectural plans to an infinitely sleek ashtray by Marianne Brandt, the collection brims with thecolors, materials, and geometries that made up the Bauhaus vision of a “total” work of art.
As we approach theBauhaus centennial, this is adefining account of its energy and rigor, not only as a trailblazing movement in Modernism but also as aparadigm of art education, where creative expression and cutting-edge ideas led to simultaneously functional and beautiful creations. Thehandy editionfeatures artists Josef Albers, Marianne Brandt, Walter Gropius, Gertrud Grunow, Paul Klee, Ludwig Mies van der Rohe, Lilly Reich, and many more.
Magdalena Drostestudied art history and literature in Aachen and Marburg. From 1980 she worked at the Bauhaus-Archiv in Berlin, after which she worked as a professor of art history at the BTU Cottbus. She has been responsible for numerous exhibitions and publications across all Bauhaus themes and artists.