The definitive reference work in a revised and updated edition
In a fleeting 14-year period between two world wars, Germany’sBauhaus School of Art and Design changed the face of modernity. With utopian ideas for the future, the school developed apioneering fusion of fine art, craftsmanship, and technology, which they applied across media and practices from film to theater, sculpture to ceramics.
This book ismade in collaboration with the Bauhaus-Archiv/Museum für Gestaltung in Berlin, the world’s largest collection on the history of the Bauhaus. Some550 illustrationsincludingarchitectural plans, studies, photographs, sketches, and modelsrecord not only the realized works but also the leading principles and personalities of thisidealistic creative communitythrough its three successive locations inWeimar, Dessau, and Berlin. From informal shots of group gymnastics to drawings guided by Paul Klee, from extensive architectural plans to an infinitely sleek ashtray by Marianne Brandt, the collection brims with thecolors, materials, and geometries that made up the Bauhaus vision of a “total” work of art.
As we approach theBauhaus centennial, this is adefining account of its energy and rigor, not only as a trailblazing movement in modernism but also as aparadigm of art education, where creative expression and cutting-edge ideas led to simultaneously functional and beautiful creations. Featured artists include Josef Albers, Marianne Brandt, Walter Gropius, Gertrud Grunow, Paul Klee, Ludwig Mies van der Rohe, and Lilly Reich.
Magdalena Drostestudied art history and literature in Aachen and Marburg. From 1980 she worked at the Bauhaus-Archiv in Berlin, after which she worked as a professor of art history at the BTU Cottbus. She has been responsible for numerous exhibitions and publications across all Bauhaus themes and artists.